<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*Qws-IiS5m4FQfgGKmMjuMw.png"></figure>Last week we announced a new exciting partnership with <a href="https://www.linkedin.com/company/seed-ea/">SEED (Electronic Arts)</a>. The partnership aims at exploring collaboration opportunities to enhance the quality of real-time <a href="https://www.linkedin.com/feed/hashtag/?keywords=3d&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#3D</a> cloth simulation in video games.
<blockquote>“We are excited to collaborate with z-emotion to further elevate the quality of real-time cloth simulation in our games. Stay tuned for further developments!” stated <a href="https://www.linkedin.com/in/ACoAAADHe08BOd0jXMePhuFi9nZf1ekUxWHkVN0">Colin Barré-Brisebois</a>, Head of Technology at SEED (Electronic Arts)“</blockquote>
<a href="https://medium.com/media/4e9fb0468713041f3bd6394103f94c73/href">https://medium.com/media/4e9fb0468713041f3bd6394103f94c73/href</a><blockquote>“At z-emotion, we are revolutionizing 3D cloth simulation technology and are thrilled to work with SEED (EA — Electronic Arts) to connect the <a href="https://www.linkedin.com/feed/hashtag/?keywords=fashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#fashion</a> industry to <a href="https://www.linkedin.com/feed/hashtag/?keywords=gaming&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#gaming</a> by utilizing high-quality synthetic cloth animation data for AI machine learning. This unprecedented method enables real-time gameplay with realistic garments without sacrificing performance,” said <a href="https://www.linkedin.com/in/ACoAAAJ_QEEBPxzQLKMgAT-jtNATnFbZiZbCbFs">Dongsoo Han</a>, CEO, z-emotion.</blockquote>
Stay tuned for further developments.
<a href="https://www.linkedin.com/feed/hashtag/?keywords=ea&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#ea</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=gaming&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#gaming</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=ai&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#ai</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=3d&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#3d</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=clothsimulation&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#clothsimulation</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=videogames&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7094720472453427200">#videogames</a>
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=de768d2ffa53" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/ea-seed-is-partnering-with-z-emotion-de768d2ffa53">EA Seed is partnering with z-emotion</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

EA Seed is partnering with z-emotion

The brand new plugin for Unreal Engine avaialable from August 2023
<figure><img alt="" src="https://cdn-images-1.medium.com/max/700/1*8QYt7UFMh3lYRyLsvYDunw.png"></figure>This is a milestone for all 3D designers. The new #plugin for #unrealengine, the leading graphics platform and the most open and advanced real-time 3D creation tool is almost ready. This collaboration will empower designers to unleash their full potential and effortlessly transform their designs into captivating 3D representations.
The #digital design process will become much easier and will allow designer to create stunning 3D assets using z-weave or zeavric and z-unreal plugin for a direct integration with Unreal Engine platform.
<a href="https://medium.com/media/a162bcfc438852ce318c4406c766df94/href">https://medium.com/media/a162bcfc438852ce318c4406c766df94/href</a>📩 Be The First to know when we launch. Get updates about z-unreal delivered to your inbox. <a href="https://bit.ly/44Uc62u">https://bit.ly/44Uc62u</a>
#unrealengine #3d #plugin #3ddesigner #digitalfashion #virtualfashion #zemotion #zweave #zeavric #3ddesign #cgi #epicgames
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=5009552256c1" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/get-ready-for-the-integration-with-unreal-engine-z-unreal-5009552256c1">Get ready for the integration with Unreal Engine | z-unreal</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Get ready for the integration with Unreal Engine | z-unreal

<h3>LG Uplus has partnered with z-emotion and A’tion Fashion for a metaverse initiative in the virtual fashion industry.</h3>
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*jR1juLpzEwdMo43ROnJD6w.jpeg"></figure><a href="https://www.linkedin.com/company/lg-uplus/">LG Uplus</a>, <a href="https://www.linkedin.com/company/z-emotion/">z-emotion</a> and A’Tion Fashion have signed a memorandum of understanding (MOU) to explore technology validation and business models in the digital fashion field of the metaverse.
🔗The collaboration aims to create metaverse avatar costumes, fashion clothing popup stores, plan metaverse and online linked commerce, develop new technologies for integrating fashion and avatar costumes.
🤝Through this partnership, LG Uplus plans to verify the potential of the fashion metaverse market using its virtual office service ‘MetaSlap’ and derive various business models, such as sales, giveaways, and brand virtual stores. The collaboration will enhance the individuality of avatars and serve as a catalyst for the development of metaverse commerce.
In a strategic <a href="https://www.kedglobal.com/metaverse/newsView/ked202307100005">collaboration</a>, LG Uplus plans to establish a virtual store offering a diverse range of fashion products and accessories. Unlike common virtual fashion platforms, the concept store will bridge the gap between the virtual and real world by not only providing avatar clothing and items but also offline goods.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*ZiZkrZGdx0npXWyUQ21zfQ.jpeg"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*ZZpM3AgoRP6Ye1y8pb7DrQ.jpeg"></figure>🗞️Official Press Release in KR <a href="https://lnkd.in/dY3ni-D5">https://lnkd.in/dY3ni-D5</a>
🗞️News in English <a href="https://lnkd.in/dTQgNbkE">https://lnkd.in/dTQgNbkE</a>
<a href="https://www.linkedin.com/feed/hashtag/?keywords=metaverse&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#metaverse</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=lguplus&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#lguplus</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=digitalfashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#digitalfashion</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=virtalstores&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#virtalstores</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=digital&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#digital</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=technology&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#technology</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=brand&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#brand</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=collaboration&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#collaboration</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=mou&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7083795401220272129">#mou</a>
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=6ece917eff5" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/lg-uplus-collaborates-with-z-emotion-to-launch-into-the-metaverse-6ece917eff5">LG Uplus Collaborates with z-emotion to Launch into the Metaverse</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

LG Uplus Collaborates with z-emotion to Launch into the Metaverse

<h3>Case Story | Louis Vuitton Partners with z-emotion and presents a unique Immersive Experience at Viva Technology 2023</h3>
A new exciting way to discover the Fashion Show from the within
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*aPNdOymopZmvAOWsKjgpvw.png"></figure>We’re excited to announce that we’ve teamed up with Louis Vuitton to create a six-minute interactive and immersive experience using <a href="https://www.linkedin.com/company/epic-games/">Epic Games</a>’ <a href="https://www.linkedin.com/feed/hashtag/?keywords=unrealengine5&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#unrealengine5</a> and <a href="https://www.linkedin.com/feed/hashtag/?keywords=z&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#z</a>-weave <a href="https://www.linkedin.com/feed/hashtag/?keywords=3d&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#3D</a> technology for digital garments.
If you’re visiting Viva Technology in Paris , you can even play with the digital copy of the Louis Vuitton Men’s Fall ’23 fashion show with 3D hyper-realistic versions of the products worn by <a href="https://www.linkedin.com/feed/hashtag/?keywords=metahuman&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#metahuman</a> avatars.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*7OS4MqovwpxIzja2utqnHA.jpeg"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*gY5MXtkGLMDfU10ikR3z-w.jpeg"></figure><blockquote>“It enables users to discover the show from within and actually walk around the set, normally you’re just looking in from the outside,” said Carole Fuchs LVMH Director of Leather Goods and Modeling, Including Digital Design.</blockquote>
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*sWuUvaQovOyhT8nwYxXCxQ.jpeg"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/800/1*QbqjRMvpJIQdr70iNRDxlQ.jpeg"></figure><blockquote>“Innovation creates opportunities”</blockquote>
This might well be the unofficial motto of Nil Bouaouni, Lead 3D at <a href="https://www.linkedin.com/company/louis-vuitton/">Louis Vuitton</a> who managed the Digital Show project and leverage the power of cutting-edge technology in order to provide exceptional experiences to the clients.
<a href="https://medium.com/media/b56f6d69cb5066c652035a625ec50d0e/href">https://medium.com/media/b56f6d69cb5066c652035a625ec50d0e/href</a>So we’re stoked to help bring that to life. Get ready to experience the new era of shopping- it’s going to be incredible!
Read the full press release in French <a href="https://press.louisvuitton.com/corporate/?p=31155&amp;preview=true&amp;lang=en">here</a>
Read the full press release in English <a href="https://press.louisvuitton.com/corporate/vivatech-2023-louis-vuitton-presente-deux-experiences-immersives-uniques-31193/?lang=en">here</a>
For further info about the project, send an email to <a href="mailto:marketing@z-emotion.com">marketing@z-emotion.com</a>
<a href="https://youtube.com/shorts/3wT22iX9sK0?feature=share">Louis Vuitton x z-emotion</a>
<a href="https://www.linkedin.com/feed/hashtag/?keywords=epicgames&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#epicgames</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=unrealengine5&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#unrealengine5</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=zemotion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#zemotion</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=3d&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#3d</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=digitalgarments&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#digitalgarments</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=lvmh&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#lvmh</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=lv&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#lv</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=paris&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#paris</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=vivatech2023&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#vivatech2023</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=vivatech&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#vivatech</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=3dfashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#3dfashion</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=fashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#fashion</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=virtualfashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075012155401478145">#virtualfashion</a>
<a href="https://www.linkedin.com/feed/hashtag/?keywords=3dscan&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#3DScan</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=fashiontech&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#FashionTech</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=virtualshopping&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#VirtualShopping</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=luxuryscanning&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#LuxuryScanning</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=digitalfashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#DigitalFashion</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=techinnovation&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#TechInnovation</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=virtualtryon&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#VirtualTryOn</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=hightechstyle&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#HighTechStyle</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=fashiontechrevolution&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#FashionTechRevolution</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=virtualluxury&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#VirtualLuxury</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=scanningtechnology&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#ScanningTechnology</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=fashionexperience&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#FashionExperience</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=digitalshopping&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#DigitalShopping</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=virtualfashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#VirtualFashion</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=luxurytech&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#LuxuryTech</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=innovationinfashion&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#InnovationInFashion</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=scanandshop&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#ScanAndShop</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=louisvuitton3d&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#LouisVuitton3D</a> <a href="https://www.linkedin.com/feed/hashtag/?keywords=vivatech&amp;highlightedUpdateUrns=urn%3Ali%3Aactivity%3A7075114405394305024">#Vivatech</a>
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=86f240e54c02" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/louis-vuitton-partners-with-z-emotion-and-present-a-unique-immersive-experience-at-vivatech-2023-86f240e54c02">Case Story | Louis Vuitton Partners with z-emotion and presents a unique Immersive Experience at…</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Case Story | Louis Vuitton Partners with z-emotion and presents a unique Immersive Experience at…

Kalico Design Limited | A case study on how 3D CAD can reduce lead time and sampling costs
<a href="https://medium.com/media/befdb8c0fc29ca58e0da53d39eb0e4df/href">https://medium.com/media/befdb8c0fc29ca58e0da53d39eb0e4df/href</a><blockquote>“I am a veteran designer but also young at heart. In order to stay competitive, I am constantly eager to learn new skills, I look for innovation in every aspect in new design forms, materials, production and work methodology. This is how I inspire young designers under my apprenticeship over the past 20 years”.</blockquote>
<blockquote>Isaac Yuen — Senior Designer and Founder of Kalico Design Limited.</blockquote>
<h4>About Isaac and Kalico Design Ltd.</h4>
Isaac Yuen is a well-respected fashion designer and is the founder and design director at Kalico, a boutique fashion consultancy based in Hong Kong with clients across China and South East Asia. His long list of achievements dating back to the 1980s makes him incredibly knowledgeable in the fashion industry. Working as chief designer in multiple fashion conglomerates in China, Hong Kong, Taiwan and Australia for brands such as Jeanswest, Hang Ten and Goldlion, he often manages teams of twenty or more designers. Speaking from experience, he mentioned that a well-established design system is needed to monitor “design productivity”.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*5GoxIWbNNN30UYZoeR_fzw.jpeg"></figure><blockquote>“Back in the day, designs had to be productive and all performance needed to be measurable like the adoption rate and ROI, which were my KPI,” said Isaac.</blockquote>
Design productivity means rapid design selection, the ability to meticulously manipulate new designs visually, reducing lead time and improving time-to-market, those were the main pillars of the 1980s fast fashion formula.
His latest achievement was representing Hong Kong at the 1st International Thai Silk Design Contest, which showcases modern and traditional Thai silk and design. This international event attracted industry leaders from 71 countries, gathering creative minds from each corner of the world.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*DNOKRII2AeqP6Ew6lfeuJQ.jpeg"></figure><h3>3D is a fashion Industry Game Changer</h3>
“During my position in Jeanswest in the ’90s, I introduced 2D CAD to the company, and my design team immediately improved their productivity by 50%. More than 10 years ago, I was really curious about what 3D fashion designer software could do for me, but it did not go well because the realism and the speed were not there, so I abandoned the idea,” said Isaac. However, this did not stop him from exploring 3D applications because he knows that it helps with reducing sampling cost, time and range planning.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*eU2gJdZYkd32pYTStFIbAQ.jpeg"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*YXdWGgI81S11WA_qgurgUw.jpeg"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*kvQa4DR4yu-0Vg2bH0QT-Q.png"></figure>In recent years, many global brands developed high-fidelity 3D products for their e-commerce platforms, meaning that they can sell the product before making the product, which is an opportunity Yuen “cannot miss”. As a result, Isaac’s company has adopted a 3D CAD and they have been using it for a couple of years. His experience with the software only satisfied 50% of his expectations and he is yearning for a more comprehensive system to suit the fast-paced digitization during COVID. Isaac needs a technology partner that can grow with his creativity and more importantly, with his customer’s demands of NFTs, digital showrooms, fashion gamification, and virtual try-on capabilities. He needs a system that provides all aspects of the digital fashion paradigm.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*fHh0rVXrXD-IbjYAeRdoKw.jpeg"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*R4CxAUZXK57xtuTKqEb3CA.png"></figure><h3>Meeting z-emotion</h3>
Isaac met z-emotion at a trade show more than 4 years ago.
<blockquote>“At first, I thought they were just a new player on the market with a 3D CAD still in its infancy stage. But when I tested their content creation platform z-weave, I immediately discovered how intuitive and fully accessorized it was, as well as a shallow learning curve. Plus, their upgrade frequency just amazed me… their team in Seoul is very engaging, they satisfied my requests and their continuous innovative ideas just keep surprising me” Isaac said enthusiastically</blockquote>
z-emotion has been developing a complete 3D fashion ecosystem with new cutting-edge technology ranging from convenient and fast 3D CAD to virtual try-on and digital showrooms; the quality of rendering is comparable to retail quality fidelity level.
<h3>Digital Innovation in my business</h3>
As Isaac mentioned before, he always stays at the peak of his career and consistently adapts to the market, and makes good use of new technology. “Back in the day, I introduced 2D CAD to the company that I worked for. Now, I am one of the advisers of z-emotion” said Isaac. ‘It demonstrated good ROI by saving costs, reducing lead time, and improving virtual communication with partners.”
Today, Issac is one of the committee members of the Hong Kong Fashion Designer Association, and he has been promoting the z- emotion digital solution to help designers in Hong Kong.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*kvQa4DR4yu-0Vg2bH0QT-Q.png"></figure><h3>3D is part of the fashion ecosystem</h3>
As an experienced fashion design expert, Isaac likes to inspire young designers to adopt new technology, emphasizing that it improves their value in the industry. One of his ongoing tasks as a mentor is to promote more 3D technology adaptation in fashion schools as part of this curriculum. Isaac envisioned that the appetite for 3D in the fashion industry is increasing and the development roadmap is only limited to your imagination. In order to realize the full potential of this technology, the application of this new technology to build a strong foundation for the future is inevitable.
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=c03ace449044" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/gaining-a-competitive-edge-in-the-fashion-industry-with-3d-integration-c03ace449044">Case Story | Gaining a competitive edge in the Fashion Industry with 3D integration</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Case Story | Gaining a competitive edge in the Fashion Industry with 3D integration

How to expand the value of fashion digital assets
29 March 2023 at 9.30 AM NY | 3.30 PM CET
Join <a href="https://medium.com/u/3b8ac46022f3">z-emotion</a> and Ben Hanson, editor-in-chief of <a href="https://www.instagram.com/the.interline/">@the.interline</a> for a live conversation to learn why and how these new channels are emerging as compelling business opportunities.
Link for registration <a href="http://bit.ly/3Fl52l2">http://bit.ly/3Fl52l2</a>
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*CG6EGCpNMdr0PwpS_VbMwA.png"></figure>Fashion has made great progress towards using 3D and digital product creation tools to streamline the creation of physical products. But the endpoint for that digital journey is still the creation of a physical garment — even in a world where virtual style, digital assets, and Metaverse channels are emerging as compelling business opportunities.
With consumers looking for new modes of self-expression, cross-media partnerships making headlines, and brands seeking new channels for engagement, digital represents the next frontier of opportunity for fashion — as well as a new starting point for extending the value of digital assets.
But how can brands make Metaverse fashion work? If you’re already working in 3D, what do you need to do to make the leap? And if you haven’t started your 3D / DPC journey, how can you design for both digital and physical outputs from the beginning? Register today for this webinar to hear live the conversation between The Interline’s Editor-in-Chief, Ben Hanson and Scott Oldham, industry-insider and VP of Sales of z-emotion, about the need for going beyond 3D to really close the gap between digital and physical and discover the other important values of 3D for fashion in gaming and the Metaverse.
Save your spot today <a href="http://bit.ly/3Fl52l2">http://bit.ly/3Fl52l2</a>
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<a href="https://medium.com/z-emotion/webinar-online-commerce-metaverse-and-gaming-7f058d8dda97">[WEBINAR] Online Commerce, Metaverse and Gaming</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

[WEBINAR] Online Commerce, Metaverse and Gaming

NH MILANO CONGRESS CENTRE | April 3 — April 4
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*5q_wpoYm1hQ8umSWEMUlPQ.png"></figure>z-emotion® is so excited to introduce its 3D Product Ecosystem at PI Apparel Europe 2023, Europe’s leading event for Product Development in fashion, apparel, and accessories.
z-emotion’s solutions are well-rounded and provide fashion brands and retailers with complete end-to-end virtualization, from design and merchandising to e-commerce. z-emotion aims to give fashion designers the ability to tweak 2D patterns to be adjusted to fit in a 3D simulation, where the same assets can be directly pushed into a wide range of digital use cases without rework or interpretation.
Don’t miss the opportunity to see z-emotion solutions in action. Book your demo at the booth <a href="https://event.z-emotion.com/pi-apparel-eu-2023">here</a>! A distinct aspect of our product range is our ability to break out of the traditional fashion user base while influencing the metaverse and gaming industry.
Learn more about the end-to-end digital workflow with z-emotion solutions and talk to our experts at the event.
Save the Date and join z-emotion at Pi Apparel!
See you soon in Milan!
The z-emotion staff
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<a href="https://medium.com/z-emotion/z-emotion-at-pi-apparel-europe-2023-all-you-need-in-3d-5cda2b95996f">z-emotion at PI Apparel Europe 2023 | All you need in 3D</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

z-emotion at PI Apparel Europe 2023 | All you need in 3D

A New Digital Fashion Design Tool to make 3D Design Technology attainable by Enterprises and individuals and extend its reach into Gaming and Metaverse Industry
Seoul, 08/03/2023 — <a href="https://z-emotion.com/">z-emotion</a>, a fast-growing 3D fashion design and real-time cloth simulation technology company, today launched zeavric, an easy-to-use and intuitive 3D fashion design studio for characters, garments, fashion accessories, AR environments and collectibles. With the launch of zeavric, z-emotion aims to expand its traditional user base of fashion professionals out to the gaming and metaverse industries.
With the company’s unique 3D simulation technology being specialized in textile product design, z-emotion’s solutions serve not only the worldwide fashion industry, but also content creators in the metaverse, gaming, digital human, and entertainment industries; giving them the ability to easily and quickly create high-quality 3D products complete with appropriate physical properties and simulation driven effects. To further the use of the content created, zeavric can easily connect with one of the most popular 3D content creation tools, Autodesk Maya, through z-maya plugin which saves a lot of time for users to create, simulate, and animate their designs. Extensibility into other digital platforms will be added to zeavric’s toolset in the coming months and will be announced separately.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/600/1*LYTL-czKRPPVEEpKCqEgKA.png"><figcaption>zeavric 3D content creation platform and z-maya plugin</figcaption></figure><blockquote>“Building a new 3D platform based on the latest technology gains a lot of advantages in breaking the tradition of what a fashion 3D CAD used to be, we are able to build a great foundation for the up-and-coming requirements such as metaverse, gaming and etc…”, said Dongsoo Han, CEO of z-emotion.</blockquote>
The company believes that zeavric is the right tool for those individual artists and designers who are looking for a user-friendly, cost-effective digital design platform that natively adapts to the needs of multiple industries without having to learn different niche solutions.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*_QP8f9uF8JBcXHEGxOIvXA.png"><figcaption>zevric allows 3D designers and artists to design cloths for their characters for gaming, metaverse and fashion industry</figcaption></figure>About z-emotion
z-emotion is furthering the development of the digital fashion industry with its 3D garment design tool and real-time cloth simulation technology. With its core computer graphics algorithm, z-emotion provides a one-stop solution for 3D digital fashion that contains virtual styling, digital showrooms, and digital collectibles. Headquartered in South Korea with offices in US and Hong Kong, z-emotion is a diverse, globally talented team spread throughout Asia, the US and Europe and has investment backing from renowned strategic partners like LG Electronics, Naver, HTC and Shima Seiki. Please visit <a href="https://www.z-emotion.com/">https://www.z-emotion.com</a> for more information.
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<a href="https://medium.com/z-emotion/z-emotion-introduces-zeavric-70151a6e387a">z-emotion Introduces zeavric</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

z-emotion Introduces zeavric

Seoul, 27/12/2022 — <a href="https://z-emotion.com/">z-emotion</a>, a 3D fashion design, and real-time simulation technology provider is launching zeavric solution at CES 2023 in Las Vegas. zeavric is the solution for all designers that want to create assets for entertainment and unleash their creativity without boundaries. With the launch of zeavric, z-emotion aims to satisfy and break out of the traditional user base as fashion professionals while reaching out to the gaming and metaverse industry.
During the exhibition, z-emotion will display zeavric platform for the first time, showcasing a metaverse digital showroom using digital costumes made in the zeavric platform and a traditional swordplay video demonstrated by digital humans.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*L22cTch-y6iMVCWHqoeeyw.png"><figcaption>z-emotion products to be shbowcased at CES 2023</figcaption></figure>Since the company has unique 3D simulation technology specialized in textile products, z-emotion products serve not only the existing fashion industry, but also content producers in the metaverse, game, digital human, and entertainment industries giving them the ability to easily and quickly create high-quality 3D clothes as well as apply physical properties and simulation effects to the created content. In particular, zeavric solution is completed by two main plug-ins that can easily connect the platform to two of the most popular 3D content development software — Maya and Unreal Engine, reducing the time required for users to create and simulate 3D costumes by more than 50%.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*1qMkAVji7oLkZCrNXIY3yQ.png"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*o7F_EL285DJgub0d0OQydA.png"></figure><figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*yquAQtvHnm0DMXd_uKveBg.png"><figcaption>z-emotion product ecosystem</figcaption></figure><blockquote>“Building a new 3D platform based on the latest technology gains a lot of advantages in breaking the tradition of what a fashion 3D CAD used to be, we are able to build a great foundation for the up-and-coming requirements such as metaverse, gaming and etc…”</blockquote>
<blockquote>Dongsoo Han, CEO of z-emotion</blockquote>
In the company’s vision, zeavric is not only the right tool for corporate customers but also for individual artists and designers who will enjoy the freedom to easily create and provide digital-specific costumes and simulations by adjusting various physical properties.
About z-emotion
z-emotion is furthering the development of the digital fashion industry with its 3D garment design tool and real-time cloth simulation technology. With its core computer graphics algorithm, z-emotion provides a one-stop solution for 3D digital fashion that contains virtual styling, digital showrooms, and NFTs. Based in South Korea with offices in Seoul and Hong Kong, z-emotion is a team with global talents over Asia, US and Europe and renowned strategic investors LG Electronics, Naver, VIVEX HTC and Shima Seiki also joined the exciting investment journey. Learn more at <a href="https://www.z-emotion.com./">https://www.z-emotion.com.</a>
Contact: Kenneth Ryu — <a href="mailto:kenneth.ryu@z-emotion.com">kenneth.ryu@z-emotion.com</a>.
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<a href="https://medium.com/z-emotion/z-emotion-showcases-metaverse-costume-solution-zeavric-at-ces-2023-99127d5559d">z-emotion Showcases Metaverse Costume Solution zeavric at CES 2023</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

z-emotion Showcases Metaverse Costume Solution zeavric at CES 2023

Discover the latest news in z-emotion
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*WkkAGtOuegiiMh6uE3odcg.png"><figcaption>step2 — adjust simulation</figcaption></figure>The outstanding zelusMaya plugin with @autodesk <a href="https://www.youtube.com/hashtag/maya">#Maya</a>, it’s nearly done! With the new plugin, you can easily import zls file (z-emotion’s proprietary design file) directly in Maya application for an improved and straighforward content creation process. You can save up to 50% of your time thanks to the new plugin. Check out the video and Stay Tuned!
Watch the video on Youtube to learn more!
<a href="https://www.youtube.com/watch?v=UPQGUBxWjLU">ZelusMaya plugin — YouTube</a>
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*hDoz7E-ml6i6ZTATwED1VA.png"></figure><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=d02650581cf3" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/keep-your-eyes-ope-zelusmaya-plugin-is-here-d02650581cf3">Keep Your Eyes Open! zelusMaya Plugin is Here!</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Keep Your Eyes Open! zelusMaya Plugin is Here!

<h4>
NIKE × Z-EMOTION
</h4>
<blockquote>Fashion brands have always been avant-garde in embracing new technologies. How do they re-shape the future of fashion e-commerce with interactive 3D?</blockquote>
<a href="https://medium.com/media/e69d6454ef7ddbbbb2da3dfe07990334/href">https://medium.com/media/e69d6454ef7ddbbbb2da3dfe07990334/href</a>Nike is one of the world’s first brands to introduce 3D technologies in their eCommerce business. There, the brand is constantly striving to bring inspiration to the fashion apparel industry whilst upholding its customer loyalty with innovative ideas. After the experiment of <a href="https://manufactur3dmag.com/how-nike-is-leveraging-3d-printing-in-the-footwear-industry/">3D printing in footwear making</a> back in 2013, <a href="https://www.theverge.com/2019/5/9/18538101/nike-fit-new-app-ar-measure-feet-shoe-size-online-order-augmented-reality">AR in sneaker-fitting</a> on Nike’s app in 2019, this time, Nike teamed up with 3D technology provider z-emotion to offer its customers 3D shopping experiences with exclusive interactivity.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*ug2nDSnXny52JMWAt9xO_w.png"></figure>As part of Nike’s marketing strategy for its eCommerce website, online campaign Virtual Styling enables members to customize their favorite look and share them on social media. The process is simple. Once the member joins the event, they will enter a digital showroom which allows them to customize their avatar. After choosing their gender, hair style, skin color and body type, the member can then create various styles from different combinations of Nike items from top to bottom. Other than basic apparels, the member can also mix and match with different accessories such as caps, socks, eyewear and footwear. Which means, whatever categories available on Nike’s eCommerce site, whatever can be re-created in 3D and appear as virtual items in the digital showroom. This event engaged 20,000 members over a week and multiplied product exposure of selected items. By implementing 3D technology, Nike enhances digital shopping experience for its members, and successfully attracted more signups for the virtual styling experience.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*Wkij0f4owzny_Qp7ypt86w.jpeg"></figure>3D in eCommerce helps keep people on your site longer that can actually boost sales. This is likely because 3D gives users more information and real-time experience than static images. With realistic avatars powered by Metahuman from the Unreal engine and true-to-life 3D garments generated from z-emotion’s state-of-art 3D technology, all rendered in real time, this 3D feature enables members to enjoy try-on experience as real-life shopping, and make decisions as real-life shopping.
Especially with the help of 3D experts like z-emotion which does the weightlifting of huge traffic coverage on cloud, real time 3D rendering is made more available and less demanding on the eCommerce site. According to <a href="https://www.theinterline.com/10/2021/a-different-3d-output-understanding-fashions-new-digital-frontier/">statistics gathered</a> from a similar event z-emotion did in 2019, potential customers who see a 3D asset rather than a flat image of a product are 44% more likely to add it to their cart, and are 30% more likely to purchase it. This figure rises to a 65% increase in conversion when the shopper can visualize and interact with a product in AR.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*P7PGkYVVDbb8CgXBnOVfoA.jpeg"></figure>The true event does not end at virtual styling and its value in customization. It lies in the power of social shopping. Social shopping is a type of eCommerce that seeks to involve people with similar tastes in an online shopping experience. The online shop is no longer just a selling platform. It is an open and interactive community for users to contribute. Nike’s Virtual Style event serves this notion. After creating their own styles, the members will receive the output of their look where they can share to other channels and social media platforms while the Nike team will choose to publish the best looks every day. This form of user generated content enabled by 3D interactivity unlocks the freedom of self expression, as well as helps the brand understand its customers behavior. Not only does it align with Nike’s marketing strategy to build experiences for its customers, but it also helps the brand to re-target its customers in further activities and advertising.
With real-time 3D digital fashion solutions like z-emotion’s, brands like Nike can now interact and engage with their customers in the online space and continue to expand their territories with loyal customers spreading words for them.
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<a href="https://medium.com/z-emotion/refining-fashion-ecommerce-marketing-with-interactive-3d-6ebdc74ff367">Refining Fashion eCommerce Marketing with Interactive 3D</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Refining Fashion eCommerce Marketing with Interactive 3D

<h4>As part of the partnership between z-emotion and PolyU ITC, Prof. Kristina Shin used 3D CAD software z-weave as the subject of her research. The following essay explore 3D simulation performance on lace materials.</h4>
Originally posted on 2021. 11. 23.
<h3>A Trial: Creative Scholarship x z-emotion</h3>
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*EVxanks08XWgEDoj6v26XQ.jpeg"></figure><h4>- A Case Study of 3D Garment Simulation Made of Lace –</h4>
Shin, Kristina Institute of Textiles and Clothing The Hong Kong Polytechnic University
Shi, Qiuqiong Department of Rehabilitation Sciences The Hong Kong Polytechnic University
<h4>ABSTRACT</h4>
The COVID-19 pandemic has had a significant impact on the global fashion world and it accelerated the use of digitalization in design, production and retail. 3D garment simulation technologies provide opportunities for fashion scholars to create and disseminate their creative outputs (e.g., fashion exhibition). This paper examines the possibility applying the 3D garment simulation technology (i.e., Z-emotion) to replicate a digital version of a lace dress from a fashion collection entitled ‘Cross Your Heart’. The results showed that digital fashion could benefit design and production of traditional Korean dress (i.e., Hanbok), a garment characterized by its design ease (e.g., folds) and stiff fabrics, by simplifying the development process.
<h4>BACKGROUND</h4>
The COVID-19 pandemic has significantly impacted on the global fashion industry as well as the fashion education sector. Although a majority of its impacts have been disruptive and detrimental, it has positively accelerated the pre-existing industry-wide transformations including digitization and sustainability (Brydges, Heinze and Retamal, 2020). This acceleration of digitization has provided a new pathway to create and showcase collections by utilizing the 3D garment simulation technologies without physically constructing the garments or displaying them at a venue. This is in line with the sustainable and ecofriendly fashion movement. In addition, it opens up the possibilities for the fashion scholars to exhibit their creative research outputs without physical and geographical restrictions (e.g., time and space). Thus, this paper examines the possibility of applying the current 3D garment simulation technology to replicate a digital version of a lace dress from a fashion collection entitled ‘Cross Your Heart’.
<h4>1. DIGITAL FASHION</h4>
The term ‘digital fashion’ refers to the phenomenon of the digitalization across design, production and retail in the fashion industry. Noris et al. (2021) broadly defined digital fashion as the overlapping area between fashion, and information and communication technologies, that has no contextual map available. They further identified three categories of ‘digital fashion’ as follows: 1) communication and marketing (practices; enabling tools; and societal implications), 2) design and production (product &amp; development; and process &amp; technology implementation), and 3) culture and society (culture; education; and society). Crewe (2013) identified three ways in which digital fashion has shifted the fashion landscapes: 1) remediation and refashioning existing media such as fashion magazines and photography, 2) devolution of fashion authority from magazine editors and designers to bloggers and consumers, and 3) creation of always-on and always-connected consumer communities. Slooten, the co-founder of Fabricant, a digital couture house, defined digital fashion as anything that has to do with fashion beyond the physical realm, which could suit a wearer’s digital identity (Pinent, n.d.).
Fashion practitioners who are working in design and production often refer to digital fashion as the process and outputs created by virtual 3D garment simulation technology as ‘fashion in design and production’.
<h4>2. VIRTUAL 3D GARMENT SIMULATION AND Z-EMOTION</h4>
The virtual 3D garment simulation started in late 1980s (Volino et al., 2005). It involved the simulation of the highly deformable cloth properties (i.e., folds and winkles) whilst interacting with the body measurements for fitting and required complex, yet swift, and efficient computational methods. Innovation and development in computer aided design (CAD) technologies brought a range of cutting edge virtual 3D garment simulation programmes on the market. Major market players include Browzwear, CLO 3D, Optitex and Z-emotion. The applications of these programmes streamline the design process from the ‘initial prototype creation (i.e., virtual prototyping)’ to the ‘final fit analysis’. The workers who possess these 3D garment simulation skills are in high demand despite the industrywide job loss due to the COVID pandemic. Z-emotion provides cutting-edge solutions to the fashion industry’s digital transformation process. It also allows the end-consumers to interact with 3D garments in real time. Its 3D CAD software entitled ‘Z-weave’ enables the user to develop fashion ideas for virtual products in seconds (Z-emotion, 2021).
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*fnDHp_7ZXcuGBcZdO7ieNQ.png"></figure>These 3D garment simulation progammes are being used not only in the fashion industry but also in the scholarly community for creative research outputs (e.g., fashion exhibition).
<h4>3. CREATIVE SCHOLARSHIP</h4>
Fashion exhibitions are wide-reaching and have become a vital form of public, creative scholarship (Green et al., 2021). In the area of fashion and textile design, creative work, in particular that for a fashion exhibition has been considered to be one form of research output. This is in line with the findings of Boyer (1991), who identified various research outlets for scholars in the field of higher education. Thus, the fashion design and textile design staff/researchers at the Institute of Textiles and Clothing, an academic department of The Hong Kong Polytechnic University, are encouraged to showcase their work at both national and international levels. Many of the researchers’ creative outputs have been exhibited at an international level, providing a discussion platform for cultural exchange and sources of inspiration. The solo exhibition ‘Cross your Heart’ was one of the author’s fashion exhibitions and it demonstrated creative scholarship.
The solo exhibition ‘Cross your Heart’ showcased a vintage-inspired luxury intimate apparel collection created by utilizing the author’s innovative bra patternmaking method. Since its advent in the late 19th century, the bra has evolved into a highly complex and sophisticated garment which serves multiple functions including supporting the breasts and creating the fashionable shape of the time. A number of social, political, and technological changes have had a profound impact on the development of modern bra design. Various changes in the role of women in society with origins in the two World Wars, an increasingly fast-changing and innovative fashion scene, and changes in feminist attitudes brought about substantial changes in attitudes towards both the bra and female identity. Thus, the bra often took centre stage in reflecting some of these momentous changes. For example, the feminist’s ‘bra burning’ movement of the 1960s clearly identifies the bra as bondage to the female identity in a social context, whereas Madonna’s iconic, 1990’s cone bra represented female empowerment. However, this complex bra design process — particularly the cup design variations — has not been fully understood despite its long history. Rapid developments in both smart materials and bra production technology have transformed the two-dimensional pattern making process into a three-dimension process, and this rendered the two-dimensional bra pattern making skills obsolete. As a consequence, two-dimensional bra pattern design is a relatively under-researched subject.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*yVV03rToJ8W-8DOUE8JokA.png"></figure>This exhibition celebrated the highly-sophisticated luxury intimate apparel design process, in particular the bra, which has evolved during the last century, via highly engineered and practical pattern making skills.
Due to the COVID pandemic social distancing, creating and showcasing a digital collection without physical and geographical restrictions would be timely. Thus, a dress made out of a black see-through lace fabric from the ‘Cross your heart’ collection was selected for the collaboration which was undertaken with Z-emotion.
<h4>4. A TRIAL: CREATIVE SCHOLARSHIP x Z-EMOTION</h4>
Despite developments in CAD technologies, visualisation of all over lace with lace edge is a difficult task. Thus, the authors and Z-emotion undertook to test the programme to assess its simulation of the lace fabric. Figure 2 shows front and back views of the 3D simulated virtual dress and the actual dress. A golden brown colour silk satin lining served to bring out the details of the black lace surface details.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*4QG6pLDyJk7PzTDM7ZyUvg.png"></figure>This live virtual fitting was also conducted by adjusting the body measurements of the virtual avatar. This function is to assist designers to check the fit of a garment pattern against the body measurements whilst helping consumers to make a purchase decision via e-commerce platforms. Figure 3 shows the high visual fidelity of Z-weave’s 3D simulation outputs on two different custom body avatars.
‘Fitmap’ is a feature that shows the pressure over the body to check the garment fit. Red colour indicates a tighter fit whilst green colour indicates looser fit.
<h4>CONCLUSION</h4>
The current fashion market size is estimated at US$760 billion with annual growth rate of 11.4% whilst there are over 3.8 billion digital buyers worldwide (Z-emotion, 2021). The COVID-19 pandemic has accelerated the innovations in digitalization across design, production and retail in the fashion industry. The potential of 3D garment simulation technologies are not only for the industry but also for all stakeholders. This trial demonstrated the possibility of digital fashion transforming the lives of those involved in fashion, and in particular, creative fashion scholars. The results indicated that digital fashion could benefit design and production of the traditional Korean dress (i.e., Hanbok), a garment characterized by design ease (e.g., folds) and stiff fabrics, by simplifying the laborious process. Thus, future research may include a virtual exhibition of museum archive Hanbok collections, virtual design and production of Hanbok that are made of non-traditional fabric such as an all-over lace, and digital Hanbok design and production workshops.
<h4>ACKNOWLEDGMENT</h4>
The authors would like to thank Z-emotion for their kind support.
<h4>REFERENCES</h4>
Boyer, E. L. (1991) Scholarship reconsidered: priorities of the professoriate. San Francisco: Jossey-Bass Publishers.
Brydges, T., Heinze, L. and Retamal, M. (2020) Changing geographies of fashion during COVID-19: The Australian case, Geographic Research, 59, pp 206–216.
Crewe, L. (2013) When virtual and material worlds collide: democratic fashion. Environment and Planning A: Economy and Space, 45 (4), pp. 760–780. <a href="https://doi.org/10.1068/a4546">https://doi.org/10.1068/a4546</a>
Green, D. N., Leigh Du Puis, J., Xepoleas, L. M., Pietsch, V., Getman, R. R., and Estrada, J. G. (2021) Fashion exhibitions as scholarship; Evaluation criteria for peer review. Clothing and Textile Research Journal, 39 (1), pp. 71–86. DOI: 10.1177/0887302X19888018
Noris, A., Nobile, T. H., Kalbaska, N. and Cantoni, L. (2021) Digital fashion: A systematic literature review. A perspective on marketing and communication. Journal of Global Fashion Marketing, 12 (1), pp 32–46. <a href="https://doi.org/10.1080/20932685.2020.1835522">https://doi.org/10.1080/20932685.2020.1835522</a>
Pinent, L. S. (u.d.) “The future of self-expression: What is digital fashion? by Amber Jae Slooten of The Fabricant”, Accessed at: <a href="https://thepowerhouse.group/digital-fashion-amber-jae-slooten-the-fabricant/">https://thepowerhouse.group/digital-fashion-amber-jae-slooten-the-fabricant/</a>
Volion, P., Coridier, F. and Magnenat-Thalmann, N. (2005) From early virtual garment simulation to interactive fashion design. Computer-Aided Design, 37 (2005), pp. 593–608.
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<a href="https://medium.com/z-emotion/cross-your-heart-a-case-study-of-3d-garment-simulation-made-of-lace-6fbb0e12dc00">Cross Your Heart: A Case Study of 3D Garment Simulation Made of Lace</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Cross Your Heart: A Case Study of 3D Garment Simulation Made of Lace

<figure><img alt="" src="https://cdn-images-1.medium.com/max/459/1*yVI9qMTnsZv6g1xFtuVr6A.png"></figure>Last Nov 7–8, our CSO <a href="https://www.linkedin.com/in/ACoAAAIFo3MBh9AkV7iQsPpHwhqMPOfcjcgMFyY">Kenneth Ryu</a> attended <a href="https://www.kglobal.tech/kpitch.html">K-Global/K-Pitch</a>, the annual competition in CA aimed to present one of the finest Korean startups every year to Silicon Valley.
This year, 12 of the most competitive Korean Tech companies in the Digital-Transformation field including <a href="https://www.linkedin.com/company/z-emotion/">z-emotion</a>, are chosen through highly uncompromising preliminary rounds in Korea and are ready to rise and shine in Silicon Valley.
The event was a great occasion to meet experts and leaders in the market and discuss new partnerships.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*PeZhkRZ2wuukwNu6WrAUxA.png"></figure><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=f880acec0554" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/insights-from-k-global-k-pitch-2022-f880acec0554">Insights from K-Global / K-Pitch 2022</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Insights from K-Global / K-Pitch 2022

<h3>TECH CRUNCH DISRUPT 2022</h3>
<h3>Such an honor to have participated in the biggest High Tech and Start-up Event in San Francisco</h3>
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*ZRJ_o1stGz3b37-cSHcd0A.png"></figure><a href="http://www.z-emotion.com/">z-emotion</a> took part to TechCrunch Disrupt 2022 exhibition in San Francisco from Oct 18th until Oct 20. This conference gathered together global innovators and start ups aiming to spread disrupting technologies in many different industries.
During z-emotion Live Pitch Session on Oct 20, <a href="https://www.linkedin.com/in/ACoAAAIFo3MBh9AkV7iQsPpHwhqMPOfcjcgMFyY">Kenneth Ryu</a>, our Chief Strategy Officer, shared his vision for 3D Fashion Industry and business. ‘I was very greatful for having spoken on behalf of z-emotion and thank you all for attending the session’ said Kenneth.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*pavXIK0XIGwRvrtqIZjTMg.jpeg"></figure>During the show, z-emotion team experienced great opportunities to meet many VCs, start-ups, users, and founders. The energy that we shared in the event was valuable. Thank you for coming to meet z-emotion. Looking forward to continuing our conversation and extending our partnership with you!
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*dI7j022elhNukBKmAD1oew.png"><figcaption>z-emotion booth &amp; live pitch</figcaption></figure><h3>Event Overview</h3>
TechCrunch Disrupt is a 3-day conference focused on breaking technology news and developments with big-name thought leaders who are making waves in the industry. At the heart of Disrupt lies the Startup Battlefield 200 — two hundred hand-picked, early-stage startups exhibiting at this year’s event to showcase their latest developments and innovations, 20 of which will be selected as finalists to compete for a $100,000 grand prize on the Disrupt Stage. Throughout the event are activations, roundtables, and parties that drive networking and discovery within the tech ecosystem.
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=f4ddbcffe2ea" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/tech-crunch-disrupt-2022-f4ddbcffe2ea">Z-EMOTION AT TECH CRUNCH DISRUPT 2022</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Z-EMOTION AT TECH CRUNCH DISRUPT 2022

<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*kiVc3ORznh2kGzaqGpkLgQ.jpeg"></figure>z-emotion participated in the Smart Tech Korea 2022 exhibition from 8th June until 10th June. We received an overwhelming response from the audience as we showcased the possibilities of digital fashion in the Metaverse. It was a fruitful event while exchanging ideas with the participants. We would like to give a sincere THANK YOU to all the visitors! Looking forward to continuing our conversation and extending our partnership with you!
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*s19bbnVChJJilz68zIkInw.jpeg"></figure>If you like to have a look at our case in digital fashion application, please reach out and we are happy to do a one-on-one presentation for you. Look forward to talking!
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=5245bceb9891" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/smart-tech-korea-2022-5245bceb9891">Smart Tech Korea 2022</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Smart Tech Korea 2022

<h4>We have an exhibition at SIGGRAPH LA 2019.</h4>
Originally posted on 2019. 6. 4.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/840/1*_P0J3hnK4IRK2OCCIOrw2g.jpeg"></figure><h4>THRIVE TOGETHER</h4>
Learn and experience new creative ideas at SIGGRAPH 2019. This diverse conference gathers global innovators who are changing the possibilities in industries such as computer graphics, animation, VR, gaming, and emerging technologies.
<h4>What is SIGGRAPH?</h4>
SIGGRAPH ( Special Interest Group on Graphics and Interactive Techniques) is an annual conference on computer graphics (CG) founded by the ACM SIGGRAPH organization. The first SIGGRAPH conference was in 1974, which saw the attendance of tens of thousands of computer professionals. Since then, SIGGRAPH conferences happened annually in key US hubs like Los Angeles, Dallas, New Orleans, Boston etc. SIGGRAPH is a vibrant meeting place, where over 20,000 international enthusiasts gather to learn, share ideas, compare, and buy the latest products. From artists to engineers, from small developers and designers to established corporations with global reach, SIGGRAPH is the only conference and trade show that draws people globally to explore the multiple disciplines of this exciting and innovative industry.
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=7107cd5b587d" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/siggraph-la-2019-7107cd5b587d">SIGGRAPH LA 2019</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

SIGGRAPH LA 2019

<h4>Re-industrialization 3D Technology and Application Conference</h4>
Originally posted on 2019. 7. 29.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*-S8IukyiGH_SmkQpXHaoYA.jpeg"></figure>Topic — 3D technology application in different industries
3D technology was introduced to Hong Kong in the 1990s and has since popularized in various local industries. However, the application has not been favored in the fashion and apparel industry. The government saw great potential of 3D technology application in the fashion and apparel industry. So, the Hong Kong Productivity Council launched a project “To Promote the 3D Design &amp; Technology for Fashion/Garment Industry in Supporting Re-industrialization” funded by Innovation and Technology Commission (Innovation and Technology Fund, General Support Program).
The project included 1 international conference, 3 technical workshops and 4 application sharing seminars. The objective was to help Hong Kong fashion/apparel practitioners to have a better understanding of 3D technology and to promote their application of 3D technology. This project was also in line with Hong Kong Government’s re-industrialization plan, to aid the application of 3D technology in fashion/apparel industries to catch up with foreign countries.
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=5d7b8ac29041" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/hkpc-in-hk-5d7b8ac29041">HKPC in HK</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

HKPC in HK

<h4>17 STARTUPS TO DEBUT DURING UPCOMING VIVE X DEMO DAYS]</h4>
Originally posted on 2019. 6. 4.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/840/1*ENKELWVMChNbGV5REkhQDg.jpeg"><figcaption>VIVE X to showcase most recent batch of companies across four international events</figcaption></figure>San Francisco, CA — May 8, 2019 — VIVE X, HTC VIVE™’s global XR accelerator, is set to showcase the graduating class of startups from the program’s most recent portfolio. Held across four separate events in Beijing, Tokyo, London and San Francisco. Seventeen companies from over six countries will present and exhibit their innovations to investors, press and potential business partners.
This year’s VIVE X Demo Days will take place in Beijing on May 8, Tokyo on May 16, London on May 23 and San Francisco on June 4. Over the next month, companies will showcase their innovations in enterprise tools and solutions, workforce training, healthcare solutions, streaming technology, social applications, location-based entertainment, foundational technology, and more.
Since the inaugural batch of companies in 2016, VIVE X has become the most active investor in the VR/AR industry with about 100 companies now advancing from the accelerator program. VIVE X operates out of San Francisco, London, Beijing, Shenzhen, Taipei, and Tel Aviv. VIVE X differentiates itself from being a strategic player with hands-on operational capabilities and channels to help its portfolio companies. In addition to VR and AR, VIVE X also invests in related technologies of 5G, AI, and Blockchain as part of VIVE’s consolidated vision for converged technology. The accelerator program also opened the call for submissions for the next batch of candidates in all six locations today.
The companies in VIVE X Batch 4 include:
<h4>San Francisco –</h4>
• MyndVR is a national health and wellness company focused on the “longevity economy” — providing Virtual Reality recreation and therapy to the high-growth ageing population.
• Primitive is providing businesses with VR collaboration for distributed software teams. The Primitive Immersive Development Environment turns complex software analyses into interactive 3D structures that are displayed in a collaborative VR space.
• ybVR’s multi-viewpoint optimized streaming technology and powers immersive live broadcasting on-demand video content in 8K resolution.
• Visby builds foundational holographic imaging software that puts the ‘real’ in extended reality. Visby’s light field technology allows film and video professionals to capture and publish photorealistic video for immersive and holographic displays.
• Modal was inspired by co-founder Nolan Bushnell’s success with Atari and Chuck E. Cheese. Modal brings a social, fun and active free-roam location-based VR entertainment to a mass audience.
<h4>London –</h4>
• Immersive Factory has developed virtual reality HSE (Health Safety &amp; Environment) training exercises based on real-life situations. All training courses, available on a dedicated platform, have been created in partnership with key account customers including Veolia, EDF, Colas, and Suez.
• LIV empowers VR content creators and game developers to grow, and monetize their audiences in real-time. The company has generated over 1 billion views of VR on social media since April 2018 and boasts the largest VR content creator community in the world.
• Kagenova is developing core technologies to engineer interactive realism at scale for next-generation immersive experiences. Their AI-based spatial360 product allows any 360 VR media to be viewed with six degrees of freedom (6 DOF), eliminating cyber motion sickness and greatly enhancing realism.
• 360Stories uses immersive 360º footage to transport you to the most amazing destinations on Earth. Listen to local’s story as they show you around their urban and natural landscapes in virtual reality. No amount of research online will truly represent the feeling of actually travelling, but surrounding yourself in 360Stories is close enough!
• z-emotion is building a fully connected 3D design platform for the apparel, knitwear and sportswear industry for the future of the digital supply chain. Furthermore, it provides predictive big data analytics to the entire manufacturing process and enables smarter, faster and more effective decisions.
<h4>Shenzhen –</h4>
• Inload excels in VR Kiosk design, manufacturing and operation. The company has an in-house R&amp;D lab, VR game studio, hardware production base and brand operation team. Its VR Kiosk business model has been expanding rapidly in many shopping malls in Shenzhen, generating positive cashflow, and it is soon to be replicated across the country.
• Yaoan — With 20 years of industrial experience in enterprise software, YaoAn has launched a VR security experience hall, VR immersive training system, VR emergency drill system, security training cloud platform and other industry solutions. They have emerged to be a leader in domestic security education and training.
<h4>Beijing –</h4>
• ifGames is one of the first VR game studios in China. It produced China’s 1st VR large area game title “Ark of the Stars” and won numerous awards including the Chin VR and Gyro VR game of the year. ifGames’ first full-body tracking VR title “CyberCraft” is highly acclaimed by critics and has already launched in major cities in China.
• ShinyVR was incubated in the National Defense Lab of Yanshan University, developing a molecular-level physical simulation engine SYVR, simulating key components of C919 (the first large commercial aircraft of China). The SYVR engine provides real-time simulation of large-scale complex scenarios, experiments, training and conceptual design visualization.
• Yuanji has developed a VR Judicial Visualization system enabling crime scene restoration for evidence to be presented directly and transparently. The system speeds up trial process and promotes social fairness and justice through science and technology empowerment.
<h4>Tel Aviv –</h4>
• Sixdof.space created a new tracking system technology that represents a breakthrough in both speed and accuracy. They combine optics, electronics and algorithms to offer a device urgently needed for current product development in multiple industries, beginning with VR.
• Ayayu Games develops, creates and manufactures patent pending VR-action controllers, which enables players to control and play with their action figures in their VR games and immersive experiences.
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=652751c05e24" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/vive-x-demo-days-in-san-francisco-652751c05e24">VIVE X DEMO DAYS in San Francisco</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

VIVE X DEMO DAYS in San Francisco

<h4>Making and buying clothes may change with a VR-based fashion design technology #SIGGRAPHAsia</h4>
Originally posted on 2018. 12. 7.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/840/1*OYmSjvhqAzquWxwwlz1fJg.jpeg"></figure>I visited SIGGRAPH Asia 2018 in Tokyo, and it was very crowded. The first booth was a clothing design VR under development by South Korea’s z-emotion, which was located right after entering the venue.
I went into into the VR world with head mounts. After stepping in, I saw a small mannequin which was a little shorter than I was 166 cm tall. I also saw a few controls and buttons in the space like a folder, play/ stop button etc. I learnt that in the future, mannequins will be prepared by the system.
There was a paper pattern floating around the mannequin, using the remote control, I selected a clothing design from the folders and use the grip to stick it into the paper pattern. After that, I clicked the play button and the system sewed the clothes together to fit me.
<h4>It may be used to buy the one to make</h4>
As it was still in the development stage, I could not confirm how it looks on the body with different materials and cloth textures. Moreover, the response was slow and the ala was flawed. When I took off the hood and turned it into a cut saw, I had to do so by tearing it off. I personally thought it was smarter to erase it there.
As I mentioned, the smart apparel manufacturing with this VR was developed to change the job of designers and pattern makers. But I felt that this could also change the shopping experience of consumers.
<h4>If the return amount decreases, everyone will be happy</h4>
When shopping online, many shops allow you to return the item after you try it on, but it’s not easy for you to return the item. So, this VR technology can help you find your perfect fit by using your data to make your own avatar and dress up. For example, ZOZOSUIT is a system that measures your body so you can buy best fitting clothes. But I think the best fit for your body and the best style for you are different. I don’t think that’s data, it’s self-judgment. Therefore, I think there is a merit in physical shopping, and buying clothes after checking with your own eyes. Questions like “how this clothing fit your chest and buttocks” and “how many collars are open” can only be answered when you physically try something on.
<h4>Expect for custom-made clothes</h4>
I also thought it would be possible to distribute software to consumers for free, and allow them to order clothes with their original designs.
It seems like I’m hoping that I can put it on the consumer base in the near future, but there’s still a long way to go.
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*0igh6dAqfXZ-hR59Yb00cg.jpeg"></figure><img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=35554fbf2ed8" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/making-and-buying-clothes-may-change-35554fbf2ed8">Making and buying clothes may change</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

Making and buying clothes may change

<h3>Today z-emotion Introduces First Digital Fashion NFT on CYPHRLY</h3>
<figure><img alt="" src="https://cdn-images-1.medium.com/max/1024/1*E0r-hEJ1bmeG2z9FhiyWkw.png"></figure>Seoul, 11/14/22 — <a href="https://z-emotion.com/">z-emotion</a>, a 3D fashion design and real-time simulation technology provider, is partnering with Lambda256 to introduce its first digital fashion NFT. Z-emotion announced it will release its first set of exclusive digital fashion NFTs based on the popular IP, <a href="https://cyphrly.io/brands/GHOSTSOULSOCIETY/">Ghost Soul Society</a> (GSS), on <a href="https://cyphrly.io/">CYPHRLY</a>. CYPHRLY is Lambda256’s global NFT marketplace, which provides authentic digital collectibles that obtain physical merits and data-driven features.
GSS is characterized by ghost characters with dark and spooky features that reflect their true inner selves. Starting with its first drop in November, 10,031 PFPs will be expanded with CYPHRLY’s very own Digital Fashion and Digital Pair technology coming to holders. GSS NFTs will soon be sold on CYPHRLY Marketplace.
<a href="https://medium.com/media/61fb6f757c4b7f97a880e44ba00f7e81/href">https://medium.com/media/61fb6f757c4b7f97a880e44ba00f7e81/href</a>“Digital fashion NFTs create new revenue opportunities when brands or content creators leverage their IPs to generate digital-only products and interact with customers,” said Dongsoo Han, CEO of z-emotion. “NFTs contain great value when they are still connected with physical benefits, and we are very excited to collaborate with CYPHRLY to provide levels of creativity from the real world and virtual world by letting consumers have both digital and physical ownership of these products.”
“With z-emotion, CYPHRLY will produce advanced digital fashion and expand with physical merit,” said Jay Park, CEO of Lambda256. “CYPHRLY users can easily purchase NFTs through simple registration and payment process once they register on CYPHRLY website. Not only new projects, but also existing projects can enter the CYPHRLY marketplace to appeal to more than web3 users.”
About z-emotion
z-emotion is furthering the development of the digital fashion industry with its 3D garment design tool and real-time cloth simulation technology. With its core computer graphics algorithm, z-emotion provides a one stop solution for 3D digital fashion that contains virtual styling, digital showrooms, and NFTs. z-emotion has collaborated with Nike, LG Electronics, SK Telecom, and many other leading brands. Learn more at <a href="https://www.z-emotion.com./">https://www.z-emotion.com.</a>
About Lambda256 and CYPHRLY
Lambda256 is a blockchain tech arm of Dunamu, a Decacorn company in South Korea operating the biggest digital asset exchange, Upbit. Lambda256 operates the blockchain cloud service platform, Luniverse, that offers a comprehensive portfolio including NFT one-stop solution, CYPHRLY. CYPHRLY collaborates with IP holders, artists, and brands to help them expand their values in the world of Web3 where fans can actively communicate together in DAO community. Learn more at <a href="https://www.cyphrly.io./">https://www.cyphrly.io.</a>
Contact: Kenneth Ryu — <a href="mailto:kenneth.ryu@z-emotion.com">kenneth.ryu@z-emotion.com</a>
<img src="https://medium.com/_/stat?event=post.clientViewed&amp;referrerSource=full_rss&amp;postId=2a1899908621" width="1" height="1" alt=""><hr>
<a href="https://medium.com/z-emotion/z-emotion-introduces-first-digital-fashion-nft-on-cyphrly-2a1899908621">z-emotion Introduces First Digital Fashion NFT on CYPHRLY</a> was originally published in <a href="https://medium.com/z-emotion">z-emotion</a> on Medium, where people are continuing the conversation by highlighting and responding to this story.

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